#kyung-il yang

[digitalzombie]

Rapid Review: The Kingdom of the Gods by In-Wan Youn, Eun-Hee Kim, and Kyung-Il Yang

About the Manhwa The Kingdom of the Gods (2019) Author(s): In-Wan Youn (concept); Eun-Hee Kim (story); Kyung-Il Yang (art)Genre(s): Action, Adventure, Drama, Horror, Historical Fiction, SupernaturalDemographic: Teen (16+)Theme(s): death; duty and honor; politics; zombiesStatus: CompletedVolume(s): 1Trigger(s): gore Summary Years of war and famine and have plunged Joseon into chaos. Young…

[binging-asian-dramas]

A Man in a Veil. 6-7

Story: 7

Acting: 8

Chemistry: 8

Comparable to: Can You Hear My Heart (kdrama) ; Good Doctor (kdrama)

Turn your brain off and go with the flow. This drama is highly highly overly dramatic, think telenova, makjang, soap opera. Nothing follows through really with the storyline, so many plot holes, and the characters are dumb down to village idiots, except one character who apparently can get away with murder….seriously. OverallI couldn’t stop watching the series, it’s addictive as heck especially if you’re into this type of drama. Warning though, it’s over 100 episodes long.

[papaya2000s]

The Crossroads of Youth

It is important to recognize that "The Crossroads of Youth" and "Turning Point of the Youngsters" are two translations of the same Korean title, "청춘의 십자로." For clarity, this post will consistently refer to the film as "The Crossroads of Youth." Enjoy.

"The Crossroads of Youth" (청춘의 십자로; 靑春의 十字路) is a melodrama film from 1934, produced during the Japanese colonial era in Korea. Directed and written by Ahn Jong-hwa, the film features performances by Lee Won-yong, Shin Il-sun, Kim Yeon-sil, and Park Yeon. Notably, it predates Korea's first sound film, "The Story of Chunhyang," and is recognized as the sole surviving silent film from this period, classified as National Registered Cultural Property No. 488. The narrative follows the experiences of a protagonist who migrates from the countryside to the capital. Initially considered a lost film, its original version was rediscovered in 2007 and subsequently released in 2008, albeit with some unrestored segments.

A scene from the 1934 film Crossroads of Youth silent film

Directed by Lee Gyu-seol (이규설) Cinematography by Lee Myeong-woo

Supervision, Script and Editing by Jong-Hwa Ahn (안정화)

Production Company - Geumgang Cinema (금강키네마)

Opening Date - September 21, 1934 at the Chosun Theatre (조선극장)

Movie Duration - 73 - 80 Minutes

Nation - Japanese colonial period Joseon during the Japanese colonial period.

Language - Silent Film/ Korean Commentary

Cast:

Lee Won-yong (이원���) – played Yeong-bok (영복)

Shin Il-seon (신일선) – played Yeong-ok (영옥)

Park Yeon (박연) – played Jang Gae-cheol (장개철)

Kim Yeon-sil (김연실) – played Young-hee (영희) (Some say it is Gye-sun, not Yeong-hee)

Yang cheol (양철) – played Ju Myeong-gu (주명구)

Moon Kyung-shim (문경심) – played Bong-seon (봉선)

Lee Bog bon (이복본) – played Baggage Carrier Friend (수화물 운반부 친구)

Choi Myung-hwa (최명화) – played Baggage Carrier Friend (수화물 운반부 친구)

Plot

The film opens with the sight of a train passing, setting the stage for Young-bok's journey. Having left his mother and younger sister, Young-ok, in their hometown, he arrives in Seoul to work as a porter at Gyeongseong Station. Previously, Young-bok spent seven years as a son-in-law at Bong-seon's household, but he relocated to the city after Bong-seon was taken by Ju Myeong-gu. In his new role, he encounters Young-hee, a gas station attendant who struggles to support her ailing father and younger sibling.

In the meantime, Young-ok, having lost her mother, travels to Gyeongseong in search of her brother. Unable to locate him, she secures a position as a waitress at a café. During her employment, she meets Gae-cheol, a wealthy associate of Ju Myeong-gu, who exploits her vulnerability, leading to a traumatic encounter. Concurrently, Young-hee, who has also lost her job, becomes ensnared in Gae-cheol's predatory circle.

After fleeing her home, Young-hee confides in Young-bok about the harrowing events. Upon learning the truth, Young-bok confronts Gae-cheol at his residence, where he reunites with Young-ok. She recounts her ordeal, prompting Young-bok to seek vengeance against Gae-cheol. In a climactic confrontation, he and his fellow porters launch an attack on Gae-cheol and Ju Myeong-gu's gang. Ultimately, with the conflict resolved, Young-bok receives Young-ok's blessing and vows to start anew alongside Young-hee.

Production

"Crossroads of Youth" marked the inaugural production of Geumgang Cinema, a film production entity. Initially conceived as a sound film, the decision was made to transition to a silent format due to certain deficiencies identified in the original footage. Producer Park Chang-soo, who adopted the stage name Park Yeon for his role as Jang Gae-cheol, financed the project himself after experiencing setbacks in his acting career, including an unsuccessful audition for actor recruitment.

The filming took place across various locations in Gyeongseong. The narrative commences at Gyeongseong Station, where the character Yeongbok serves as a porter, while scenes featuring Yeonghee as a gas station employee were captured in the vicinity of Gyeongseong Station Square. Additionally, a pivotal fight sequence between the characters Banbu and Gookilgwan was filmed in one of Seoul's numerous restaurants.

Screening

"Crossroads of Youth" premiered at the Joseon Theatre on April 21, 1934. On September 26 of the same year, an incident occurred involving an actor from the film who was stabbed. Um Dong-ok (엄동옥; 嚴東鈺), a boxer and gangster known as Shinmajeok, confronted Lee Won-yong and Park Yeon after viewing the film. During this encounter, Um Dong-ok requested a drink, citing the movie's commercial success, and subsequently demanded payment for his suit. When Lee Won-yong refused to comply, Um Dong-ok attacked him with a dagger. The weapon penetrated Lee Won-yong's left abdomen, cutting through his suit jacket and pants, yet fortunately did not injure his flesh.

Excavation and Re-examination

Following the discovery of "Sweet Dream" in 1936, a private collector reached out to the Korean Film Archive, claiming possession of nine rolls of vintage film. The collector explained that his father had operated a cinema named Dansungsa until shortly after the Korean War began, and the films were preserved when the theater ceased operations during the conflict. Upon examination by the Korean Film Archive, it was confirmed that these rolls contained the original negative of "Crossroads of Youth," which premiered in 1934. Notably, the discovered material was a negative rather than a positive print, consisting of nitrate film, with eight rolls representing the main content and one roll dedicated to the ending credits. Regrettably, one of the eight main rolls exhibited a whitening effect, rendering it irreparable.

The discovery of this film marked it as the oldest surviving Korean cinematic work, leading to occasional screenings organized by local authorities and film archives. Given its silent film status, many of these screenings featured a narrator to provide context and commentary. In 2007, the Korean Film Archive was approached by another private collector who provided nine nitrate negative rolls from the 1930s. Among these, one roll included the film's concluding titles, while another was too deteriorated to undergo restoration. The collector's father had retained these films from his time managing Dansungsa until the onset of the Korean War.

During the restoration efforts, the film research team initially identified the work as "Passion Flowing Through the Galaxy," directed by Ahn Jong-hwa. However, further investigation clarified that the film was indeed "Crossroads of Youth." This process underscores the challenges associated with preserving nitrate film, which is susceptible to oxidation and poses significant fire hazards, as evidenced by historical incidents even in well-organized archival environments like the United States. The fortunate survival of these films, despite their precarious conditions, is a remarkable achievement in film preservation.

Evaluation

In 1938, the Chosun Ilbo Film Festival recognized "Crossroads of Youth" as the sixth best entry in its list of the "Top 10 Silent Films."

Show

At the time of its debut, "Crossroads of Youth" achieved significant commercial success. Baek Ya-saeng, in his article "15 Years of Joseon Cinema" published in the Chosun Ilbo, remarked that "Mr. Ahn Jong-hwa produced ‘Crossroads of Youth,’ and the audience, eager for Joseon cinema, responded with applause reminiscent of raindrops at a festival." He further noted that during its screening in Daejeon on Chuseok in 1937, three years post-release, the venue was filled to capacity.

Director Ahn Jong-hwa later reflected on the film's box office performance, attributing its success partly to the return of actors Lee Won-yong and Shin Il-sun to the screen after a lengthy absence, which provided the film with a competitive edge at the box office.

Impact and Value

“Crossroads of Youth” predates the first sound film, “Chunhyangjeon,” released in 1935, and stands as the sole silent film produced during the Japanese colonial era. Its historical significance is underscored by its designation as National Registered Cultural Property No. 488 in South Korea, reflecting its cultural and artistic value.

Film historian Kim Jong-won highlights several aspects of “Crossroads of Youth” that contribute to its importance in Korean cinema. It provides insight into the state of filmmaking at the conclusion of the silent film era under Japanese rule, showcases the talents of early silent film actors like Shin Il-sun, Lee Won-yong, and Kim Yeon-sil, and offers a glimpse into the early works of Ahn Jong-hwa, whose contributions remain largely unexamined due to the loss of his films. Notably, the film's discovery occurred within South Korea, further enhancing its cultural relevance.

Anseong Art Hall to hold performance of historical drama 'Crossroads of Youth'

Anseong Art Hall in Anseong City set to showcase the historical drama 'Crossroads of Youth' at 7:30 PM on July 28, 2021, in the Small Theatre. This event was part of the hall's programming for Culture Day in July and represents a reinterpretation of the 1934 Korean silent film 'Crossroads of Youth' by Jong-hwa Ahn, presented in a new format known as bensa drama. The performance aimed to evoke the atmosphere of the Gyeongseong theatre district during the 1930s, as articulated through the bensa's dialogue in the original film.

Anseong Art Hall in Anseong City will present the historical drama 'Crossroads of Youth' at 7:30 PM on the 28th as part of the July Culture Day planned performance at the Anseong Art Hall Small Theater. (Photo = Anseong City).

The significance of 'Crossroads of Youth' lies not only in its status as a landmark Korean film but also in its aesthetic and historical value. The film has garnered acclaim for its visual artistry and has been featured in prestigious film festivals, including the Seoul Chungmuro International Film Festival and the Busan International Film Festival in 2008, as well as international events such as the 47th New York Film Festival in 2009 and the Guanajuato International Film Festival in 2011. These accolades have played a crucial role in promoting the global recognition of Korean cinema and its performances.

This production is under the direction of Kim Tae-yong, known for his work on "The Birth of a Family" and "Manchu." Jo Hee-bong, recognized for his roles in "Chuno" and "My Love from the Star," served as the narrator, showcasing his abilities and artistry throughout the performance.

The silent film play "Crossroads of Youth" creatively fills the voids of silent cinema with a blend of humour and wit. Tickets were available for 5,000 won with a 'Culture Day Discount,' and Anseong Art Hall implemented safety measures by limiting attendance to 143 seats, which was under 50% of the venue's small theatre capacity, to mitigate the risk of COVID-19 transmission.

[staydandy]

Island (2022-2023) - 아일랜드 - Whump List

List by StayDandy Synopsis : Evil took its first step to destroy the world. On the mysterious Jeju Island, Ban, a mix of human and monster; Won Mi Ho, the one in the center of fate; and Johan, the one who exercises God's power, come together. A strange, yet captivating, action-packed exorcism fantasy in which they fight evil, share the fate of saving the world, and defy their own. (P1: MDL, P2: MDL)

Whumpee : Ban/Van played by Kim Nam Gil (left) • Johan / Kang Chan Hyuk played by Cha Eun Woo (right)

Country : 🇰🇷 South Korea Genres : Action, Thriller, Horror, Fantasy

Notes : This is a Full Whump List for both Parts 1 & 2 (it was seriously wholly unnecessary for them to split it into 2 parts) • Adapted from the webtoon "Island" (아일랜드) written by Yoon In Wan (윤인완) and illustrated by Yang Kyung Il (양경일). • Ban is almost an immortal being - he has the ability to self-heal. I did not include moments when Ban heals immediately & doesn't show pain; like it didn't even remotely bother him .. I don't really count stuff like that as whump ¯\_(ツ)_/¯

Episodes on List : 6 Total Episodes : 12 (6 per Part)

*Spoilers below*

Part 1 : 04 : Johan is strangled … Ban is tied up, the restraints burn him … Johan is choked

05 : … continued from previous ep. ... Choked … Ban stabs his own arm

06 : Johan is thrown against a wall … Ban is hit by a fireball, choked against a wall … collapses, coughs up blood.. passes out … Johan is stabbed ( ? or rather, punched through his stomach), thrown against a wall, coughing up blood

Part 2 : 04 : Ban is in a fight, spits blood.. stabbed in the back

05 : Johan is in a fight; coughs up blood, choked … found, hanging pierced through the chest on a broken piece of steel, bleeding heavily, passes out

06 : Bandaged, on a ventilator, nightmare of being beat in the fight … Ban is stabbed … (YAS!! I've been waiting for some bad-ass Johan!! Go get 'em!) Johan, still heavily bandaged, joins the fight, gains new wounds throughout … Ban forces his way through a magical barrier that continuously hurts/burns him … stabbed through the chest … killed/destroyed by the magical barrier successfully being built … Johan now wears a hearing aid after his hearing was damaged during the fight

More Whump Lists for this show: love-me-a-lotta-whump

[dangerousstrawberryshark]

K-pop Boy Bands Stations

Seventeen

Choi Seung-Cheol (S. Coups)

...

Yoon Jeong- Han (Jeonghan)

...

Joshua Hong (Joshua)

...

Wen Jun-Hui (Jun)

...

Kwon Soon-Yeung (Hoshi)

...

Jeon Won-Woo (Wonwoo)

...

Lee Ji-Hoon (Woozi)

...

Lee Seok-Min (DK)

...

Kim Ming-Gyu (Mingyu)

...

Xu Ming Hao (The8)

...

Boo Seung-Kwan (Seungkwan)

...

Hansol Vernon Chwe (Vernon)

...

Lee Chan (Dino)

...

TXT

Choi Soo-Bin (Soobin)

Choi Yeon-Jun (Yeonjun)

Choi Beom-Gyu (Beomgyu)

Kang Tae-Hyun (Taehyun)

Kai Kamal Huenging (Huening Kai)

Monsta X

Sohn Hyun-Woo (Shownu)

Lee Min-Hyuk (Minhyuk)

Yoo Ki-Hyun (Kihyun)

Chae Hyung-Won (Hyung-won)

Lee Joo-Heon (Jooheon)

Im Chang-Kyun (I.M)

EXO

Kim Jun-Myeon (Suho)

Kim Min Seok (Xiumin)

Byun Baek-Hyun (Baekhyun)

Kim Jong-Dae (Chen)

Park Chan-Yeol (Chanyeol)

Do Kyung-Soo (D.O)

Kim Jong-In (Kai)

Oh Se-Hun (Sehun)

Zhang Jiashuni (Lay)

Li Jiasheng (Kris)

Lu Han (Luhan)

Huang Zitao (Tao)

Stray Kids

Christopher Chan (Bang Chan)

Lee Min-Ho (Lee Know)

Seo Chang-Bin (Changbin)

Hwang Hyun-Jin (HyunJin)

Han Ji-Sang (Han)

Felix Lee (Felix)

Kim Seung-Min (Seungmin)

Yang Jeong-In (I.N)

Kim Woo-Jin (Woojin)

NCT

Lee Tae-Yong (Taeyong)

Moon Tae-Il (Taeil)

Seo Young-Ho (Johnny)

Nakamoto Yuta (Yuta)

Qian Kun (Kun)

Kim Dong-Young (Doyoung)

(Korean Name) Lee Young-Heum (Ten)

Jeong Yoon-Oh (Jaehyun)

Dong Si-Cheng (Winwin)

Kim Jung-Woo (Jungwoo)

Huang Xuxi (Lucas)

Mark Lee (Mark)

Xiao Dejun (Xiaojun)

Wong Kunhang (Hendery)

Huang Ren Jun (Renjun)

Lee Je-No (Jeno)

Lee Dong-Hyuck (Haechan)

Na Jae-Min (Jaemin)

Liu YangYang (Yangyang)

Osaki Shotaro (Shotaro)

Jung Sung-Chan (Sungchan)

Zhong Chen-Le (Chenie)

Park Ji-Sung (Jisung)

ENHYPEN

Yang Jung-Won (Jungwon)

Lee Hee-Seung (Heeseung)

Jay Park (Jay)

Jake Sim (Jake)

Park Sung-Hoon (Sunghoon)

Kim Seon-Woo (Sunoo)

BTS

Kim Nam-Joon

Kim Seok-Jin

Min Yoongi

Jung Ho-Seok

Park Ji-Min

Kim Tae-Hyung

Jeon Jung-kook

Solo Artists

Lee Ho-Seok (Wonho)

Kang Dong-Ho (Baekho.)

Cho Seung-Youn (Woodz.)

[korelist]

ISLAND // KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı: 7 Benim puanım: 8

Drama: Island

Hangul: 아일랜드

Director: Park Kwang-Hyun

Writer: Yoon In-Wan (webcomic), Yang Kyung-Il (webcomic), Jang Yoon-Mi

Date: 2023

Language: Korean

Country: South Korea

Cast: Kim Nam-Gil, Lee Da-Hee, Cha Eun-Woo, Sung Joon

Aynı isimli webtoon’dan uyarlanan dizi, farklı bir tarza değişik bir havaya sahip. Ayrıca ilk kez başrol oynasa da, en azından benim izlediğim dizilerde, Lee Da-Hee’ye bayılıyorum. Bence çok güzel bir kadın. Onu daha önce; The Beauty Inside, Search: WWW dizilerinde izledim. İkisinde de hemen kendini belli ediyordu. Diziye dönecek olursak, Jeju adasında geçiyor. Büyük bir şirketin tek varisi olan Won Mi-Ho( Lee Da-Hee), sergilediği bir takım aykırı davranışlar nedeni le medyada linç yiyince babası onu Jeju adasına gönderir. Burada bir süre gözlerden uzak olacak, bir okulda rehberlik öğretmenliği yapıp medyada güzel bir imaj çizecektir. Tabi adada dünyayı yok etmek isteyen kötü ruhlar olduğu için bu sakin planı çok uzun süremez. Dünyada sıkışmış olan kötü ruhlar hemen sonra hanım kızımızı hedef almaya başlayınca da hikaye hareketlenmeye başlıyor.

Bu noktada ihtiyacımız olan iki şey ise; kötü olmayan kötü bir ruh ve rahipten bozma bir avcı. Rahip Johan (Cha Eun-Woo), Vatikan’dan Jeju’ya bu anomaliyi araştırmak ve efsanelerde adı geçen canlıları bulması için  gönderilir. Gizli görevi ve gizemli karakteri ile hikayeye dahil olur. Ve efsanevi yaratığımız Van(Kim Nam-Gil); kendisi yarı kötü ruh bir ruh avcısıdır. Ondan hem korkulur hem ihtiyaç duyulur. Kimine göre kötüdür, kimine göre koruyucudur. Kendisi ise ölümsüzlük lanetini bitirip hayatına son vermek için seçilmiş kişiyi aramaktadır. Kulağa tanıdık geldi mi? Gelmemiş gibi yapın, hiç alakası yok. Aslında biraz da, bence, The Witcher dizisinden arak var. Yarı kötü ruh olan, ruh avcıları üzerinde deneyler yapılan ve bu amaç için yetiştirilen çocuklarmış. Van(Kim Nam-Gil) ile birlikte aynı kaderi paylaşan Tan (Sung Joon) bir zaman sonra fikir ayrılığına düşüp farklı bir yoldan gitmeye karar vermişler.

Hikaye bu dört karakterin etrafında dönüyor. Karakterlerin kendilerini tanıma macerası gibi de düşünebilirsiniz. 2 sezon toplam 12 bölümden oluşan mini bir dizi. Biraz “Bulgasal: Immortal souls”, biraz “The Witcher”, çok azıcık da Goblin karıştırıp harmanlayıp sunulmuş. Kötü değildi bu arada. Rahip Johan rolü ile özellikle Cha Eun-Woo oyunculuk kariyerine bence sağlam bir taş koymuş oldu. Artık rolüne girebilen, rahat bir oyuncu olduğunu söyleyebilirim. İdollük kimliğinden nihayet sıyrılmış gibiydi. Daha önceki “My ID Gangnam Beauty” dizisinde çok amatör, “True Beauty” dizisindeyse çok tutuktu. Zincirlerinden kurtulmuş gibi geldi bana.

Karizmatik Van rolü ile Kim Nam-Gil üzülerek söylüyorum ama beni çok etkileyemedi. Karakteri karizmatikti ama oyuncu o karizmaya yetişemedi. Ama diğer yandan Tan rolü ile karşımıza çıkan Sung Joon şahaneydi. Oyuncuya; “Hyde Jekyll, Me” ve “Call It Love” dizilerinde yan rollerde olsa bir göz aşinalığım var. Bence karizma olması gereken karakterden daha karizmatikti. Hem karakteri hem oyuncu.

Sonuç olarak, farklı değişik bir diziydi. Şans verebilirsiniz.

OST:

Groovy Room - We Higher

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

[kwavecl]

Los 59th Baeksang Arts Awards anuncia a los nominados para las categorías de cine y televisión.

¡Los 59th Baeksang Arts Awards han anunciado sus nominados para las categorías de cine y televisión!

Los candidatos fueron elegidos entre dramas, programas y películas que se emitieron o se estrenaron entre el 1 de abril de 2022 y el 31 de marzo de 2023. Sin embargo, las obras que se estrenaron durante el período de proyección del año pasado también se incluyeron en el grupo de este año. Se encuestó a 60 expertos de la industria antes de las nominaciones finales. Además, las producciones que se excluyeron el año pasado porque se estrenaron durante el período de proyección también se incluyeron en el grupo de este año.

Echa un vistazo a los candidatos finales de la televisión y el cine del año pasado a continuación:

Mejor Drama

JTBC “My Liberation Notes” Netflix “The Glory” tvN “Our Blues” ENA “Extraordinary Attorney Woo” tvN “Little Women”

Mejor Variety Show

tvN “Earth Arcade” Psick University “Psick Show” Netflix “Physical: 100” TVING “EXchange 2” Coupang Play “SNL Korea 3”

Mejor Show Educativo

wavve “National Office of Investigation” (literal title) Netflix “In the Name of God: A Holy Betrayal” EBS “Your Literacy Skills+” (literal title) MBC Gyeongnam “Adult Kim Jang Ha” (literal title) KBS “Hidden Earth: 3 Billion Years on the Korean Peninsula”

Mejor Actor

Son Suk Ku – JTBC “My Liberation Notes” Lee Byung Hun – tvN “Our Blues” Lee Sung Min – JTBC “Reborn Rich” Jung Kyung Ho – tvN “Crash Course in Romance” Choi Min Sik – Disney+ “Casino”

Mejor Actriz

Kim Ji Won – JTBC “My Liberation Notes” Kim Hye Soo – tvN “Under the Queen’s Umbrella” Park Eun Bin – ENA “Extraordinary Attorney Woo” Song Hye Kyo – Netflix “The Glory” Suzy – Coupang Play “Anna”

Mejor Actor de Reparto

Kang Ki Young – ENA “Extraordinary Attorney Woo” Kim Do Hyun – JTBC “Reborn Rich” Kim Jun Han – Coupang Play “Anna” Park Sung Hoon – Netflix “The Glory” Jo Woo Jin – Netflix “Narco-Saints”

Mejor Actriz de Reparto

Kim Shin Rok – JTBC “Reborn Rich” Yeom Hye Ran – Netflix “The Glory” Lee El – JTBC “My Liberation Notes” Lim Ji Yeon – Netflix “The Glory” Jung Eun Chae – Coupang Play “Anna”

Mejor Nuevo Actor

Kim Gun Woo – Netflix “The Glory” Kim Min Ho – ENA “New Recruit” Moon Sang Min – tvN “Under the Queen’s Umbrella” Joo Jong Hyuk – ENA “Extraordinary Attorney Woo” Hong Kyung – wavve “Weak Hero Class 1”

Mejor Nueva Actriz

Kim Hieora – Netflix “The Glory” Noh Yoon Seo – tvN “Crash Course in Romance” Lee Kyung Sung – JTBC “My Liberation Notes” Joo Hyun Young – ENA “Exaordinary Attorney Woo” Ha Yun Kyung – ENA “Extraordinary Attorney Woo”

Mejor Entertainer Masculino

Kian84 Kim Kyung Wook Kim Jong Kook Jun Hyun Moo Hwang Jae Sung

Mejor Entertainer Femenina

Kim Min Kyung Park Se Mi Lee Soo Ji Lee Eun Ji Joo Hyun Young

Mejor Película

“Next Sohee” “The Night Owl” “Hansan: Rising Dragon” “Hunt” “Decision to Leave”

Mejor Actor

Ma Dong Seok – “The Roundup” Ryu Jun Yeol – “The Night Owl” Park Hae Il – “Decision to Leave” Song Kang Ho – “Broker” Jung Woo Sung – “Hunt”

Mejor Actriz

Bae Doo Na – “Next Sohee” Yang Mal Bok – “The Apartment With Two Women” Yum Jung Ah – “Life Is Beautiful” Jeon Do Yeon – “Kill Boksoon” Tang Wei – “Decision to Leave”

Mejor Actor de Reparto

Kang Ki Young – “The Point Men” Kim Sung Cheol – “The Night Owl” Park Ji Hwan – “The Roundup” Byun Yo Han – “Hansan: Rising Dragon” Im Siwan – “Emergency Declaration”

Mejor Actriz de Reparto

Park Se Wan – “6/45” Bae Doo Na – “Broker” Ahn Eun Jin – “The Night Owl” Yum Jung Ah – “Alienoid” Lee Yeon – “Kill Boksoon”

Mejor Nuevo Actor

Noh Jae Won –”Missing Yoon” Jinyoung – “Christmas Carol” Byun Woo Seok – “20th Century Girl” Seo In Guk – “Project Wolf Hunting” Ong Seong Wu – “Life Is Beautiful”

Mejor Nueva Actriz

Go Yoon Jung – “Hunt” Kim Si Eun – “Next Sohee” Kim Hye Yoon – “The Girl On a Bulldozer” IU – “Broker” Ha Yun Kyung – “Gyeong Ah’s Daughter”

La ceremonia está programada para el 28 de abril en Paradise City en Incheon a partir de las 5:30 p.m. KST. El programa se transmitirá en vivo por televisión a través de JTBC, JTBC2 y JTBC4, y también se transmitirá en vivo a través de TikTok.

Fuente: soompi.com

[bscnews1532]

"Competing for rankings at the end of the season is important."

The Changwon LG Twins went on an overseas training camp on Wednesday. Immediately before the training camp, Konkuk University was invited to Changwon for practice games on Wednesday and Tuesday. With various combinations, LG plans to beef up its efforts through four practice games in Japan and Taiwan, with players who will participate in the regular league as the focal point.

Heo Il-young, who met after a practice game with Konkuk University on the 20th, explained the training performance so far, saying, "We still have a month left, so we have to adjust more, but it's not bad."

LG has emerged as a new team to the extent that most of its main players have changed. In September, the team focused on collaborating with Korean and foreign players (Ashem Maray and Daryl Monroe).

Heo Il-young said, "Monroe knew each other well because we both played together at Orion. We hit each other well just by hitting the eye. I don't have to hit the ball alone, so I talk to the rest of the players a lot, and Monroe asks me to tell other players how I play. The players are getting used to it little by little," adding, "Marei has so good control under the basket that he just needs to throw balls that pass from outside, and we have a lot of space to take moves. I am very satisfied with the strength of the two foreign players." LG can expect good results only when existing young players such as Yang Joon-seok, Yoo Ki-sang, and Jeong In-deok and senior players such as Heo Il-young, Choi Jin-soo, Jang Min-guk, Jeon Sung-hyun, and Doo Kyung-min, who have joined the team, are in harmony.

When asked about her teamwork with young players, Heo said, "Good. Players also actively ask me questions. They tell me to talk without any seniors or juniors on the court, and to talk naturally like this. When am I going to use honorifics, I have to communicate quickly at that time, so I tell them not to bother about it on the court, just to call me 'brother' (laughs)," and added, "I take it well, ask a lot of questions, and ask for help if there's anything I can't do. I'm glad that you're nice and you worked so hard."

Cho Sang-hyun, LG's coach, led the team to second place in the regular league in both of the past seasons based on defense. However, he is satisfied just to follow through and make him try hard to shoot. Cho Sang-hyun is satisfied with Heo Il-young's defense.

Heo Il-young, who has to adapt to the defense that coach Cho Sang-hyun wants, also did not worry, saying, "I think it's definitely better than the first time."

Jeon, who is recovering from knee injury, plans to make a comeback at the KBL Cup. He needs a little more time to recover his normal condition. Moreover, as many new players have joined the team, it takes more time before their teamwork is fully matched. For this reason, LG is expected to show better performance at the end of this season than at the beginning of this season.

Heo Il-young said, "It does have such a point. If I don't lose in the early part of the season, I won 10 consecutive games and went to the playoffs. It doesn't matter if I lose in the beginning. I did too much for 10 consecutive losses, and I think it's better to play after the fourth round by only going as high," he said. "If you don't perform well at the end of the season, the blow will be bigger, so it's important to have a ranking fight then. Looking at it now, Jeon Sung-hyun has improved a lot, and Doo Kyung-min is okay. Not all players can play 40 minutes. Since I'm trying to rotate the rotation properly, if I know who my role and what the coach wants, it won't be bad if I think about the team first, not my greed."

When asked about the upcoming training camp for four games in Japan and Taiwan, Heo said, "I heard that Japanese teams also traveled a long time. It takes about an hour and a half to travel from Okinawa to Taiwan. I heard that I chose Taiwan because of the short travel time," and added, "I've been to both the U.S. and Europe, but it's really hard to travel long distances. It's not that Japan and Taiwan have a bad opponent. I don't worry too much."

"The most important thing is defense. There are many different kinds of defense, so I asked him to talk about defense and rotation that fit the situation. I also emphasize that because we have to talk a lot from inside rather than outside (court). The coach also emphasizes the rebound after the defense that the coach wants, so we have to focus on that," he said. "The two foreign players have their strengths in offense, so we have to take advantage of them. We have to take many moves while doing it."토토사이트 모음

LG, which is scheduled to arrive in Korea on the 28th, has to prepare for the KBL Cup.

Huh Il-young said, "What worries all teams is injury. It's the last training camp, and I want all the players to come back injury-free. As long as I don't get injured, I will have good results," adding, "The Cup will be held when I return home, and although it's a prelude, I have to be able to produce the color that the coach wants."

[logabeauty]

Prison Play Book

Prison Play Book

Prison Play Book adalah seri televisi Korea Selatan tahun 2017 dengan sutradara Shin Won-ho.

Bintang yang hadir antara lain Park Hae-soo dan Jung Kyung-ho. Seri ini menandai peran utama Park Hae-soo yang pertama. Drama ini tayang di tvN setiap hari Rabu dan Kamis pukul 21.30 mulai 22 November 2017 hingga 18 Januari 2018. Bercerita tentang kehidupan para narapidana di balik jeruji besi, keluarga mereka dan petugas yang bekerja di fasilitas pemasyarakatan. Kim Je-hyuk, seorang bintang pelempar bisbol mendapat hukuman karena melakukan penyerangan setelah ia menyelamatkan adiknya dari serangan seksual. 1 2 3 4 5 6 7 8 9 10 11 12

13 14 15 16 Pemeran - Utama - Park Hae-soo sebagai Kim Je-hyuk - Lee Tae-sun sebagai Kim Je-hyuk muda - Seorang bintang pemain bisbol yang berubah menjadi narapidana dalam semalam. - Jung Kyung-ho sebagai Lee Joon-ho - Lee Do-hyun sebagai Lee Joon-ho muda - Penjaga penjara elit dan sahabat Je-hyuk. - Pendukung - Tokoh di sekitar Je-hyuk - Krystal Jung sebagai Kim Ji-ho - Shin Rin-ah sebagai Kim Ji-ho kecil - Lee Chae-yoon sebagai Kim Ji-ho remaja - Mahasiswi pengobatan tradusional Korea dan pacar Je-hyuk. - Lim Hwa-young sebagai Kim Je-hee - Adik Je-hyuk. - Ye Soo-jung  sebagai ibu Je-hyuk - Kim Kyung-nam sebagai Lee Joon-dol - Adik Joon-ho yang bekerja seorang reporter dan penggemar berat Je-hyuk. - Pusat Penahanan Seobu - Sung Dong-il sebagai Kepala Jo Ji-ho - Seorang kepala penjaga penjara veteran yang cepat dan fleksibel dalam hal menyelesaikan insiden yang terjadi di dalam penjara. - Jung Jae-sung sebagai "Profesor Myung" - Lee Ho-chul  sebagai Gal Dae-bong (aka "Good-for-nothing Low-life") - Penjara Seobu - Choi Moo-sung sebagai Kim Min-chul (aka "Tahanan Jangka Panjang") - Seorang anggota geng yang dijatuhi hukuman penjara dua puluh lima tahun karena pembunuhan. - Park Ho-san  sebagai Kang Chul-doo (aka "KAIST") - Seorang insinyur yang dijatuhi hukuman penjara selama tiga tahun enam bulan karena penipuan judi. - Kang Seung-yoon sebagai Lee Joo-hyung (aka "Jang Bal-jang" sebagai referensi untuk Jean Valjean) - Penjahat residivis yang tidak bisa menahan diri untuk tidak mencuri. - Jung Min-sung  sebagai Go Park-sa (aka "Dokter Go") - Seorang manajer yang dipenjara karena menggelapkan uang sepuluh miliar won dari perusahaannya. - Lee Kyu-hyung sebagai Yoo Han-yang (aka "Generasi kedua Chaebol" atau "Looney") - Pelanggar berulang karena penyalahpenggunaan narkoba. - Ahn Chang-hwan sebagai Dong-ho (aka "Croney") - Jung Hae-in sebagai Yoo Jeong-woo (aka "Kapten Yoo") - Seorang perwira komandan yang menyerang rekan satu timnya tanpa ampun yang berujung kematian. - Kim Sung-cheol sebagai Kim Young-cheol (aka "Jailbird") - Pria yang sering keluar masuk penjara. - Jung Woong-in sebagai Asisten Kepala Paeng - Penjaga penjara yang ganas. Prison Play Book Mitra Loga Beauty Skin; Desain website oleh Cahaya Hanjuang Read the full article

[digitalzombie]

2024: the final reading log of the year

2024 is at its final hours. So, here is a list of memorable books, manga, and other graphic novels that I've read this year.

[maveriontristan]

About Go Kyung Jun

Prolog.

Drama Korea berjudul "Night Has Come" menceritakan tentang rombongan siswa SMA Yooil yang terjebak di hotel misterius. Berawal ketika seluruh siswa kelas 11 mengikuti retret yang diadakan sekolah setelah melalui ujian tengah semester (UTS).

Para siswa tanpa disadari sedang terjerat dalam situasi misterius dan menegangkan. Sebuah aplikasi misterius terpasang di ponsel para siswa dan permainan mafia mematikan pun dimulai.

Seluruh siswa mendapatkan notifikasi misterius di ponsel, masing-masing yang berbunyi "permainan mafia akan dimulai sekarang. Periksa identitasmu.”

Pada keesokan harinya, ditemukan siswa tewas. Para siswa lalu segera menyadari kalau "permainan Mafia" itu nyata.

Alhasil mereka pun melakukan pemungutan suara untuk untuk membunuh orang yang diduga merupakan mafia asli. Sebab jika tidak, sang mafia akan terus membunuh salah satu dari mereka.

Karakter Go Kyung Jun

Go Kyung Jun adalah tukang bully di kelas 11-3 SMA Yooil. Ia bersama Shin Seung Bin dan Kim Jin Ha kerap merundung Jin Da Bum dan Choi Joo Won.

Meski begitu, penonton sempat menaruh simpati pada Go Kyung Jun ketika dia terlihat menangis rapuh setelah mengeliminasi Park Woo Ram. Dianggap mengalami perkembangan karakter, Go Kyung Jun mengingatkan penonton pada Kwon Il Ha di Duty After School (2023).

Tak hanya itu, penonton juga meromantisisasi adegan adu mulut Lee Yoon Seo dan Go Kyung Jun. Mereka berharap, Go Kyung Jun bisa saja insaf dan menyukai Lee Yoon Seo di ending drama ini.

Karakter Go Kyung Jun sering melakukan kekerasan, ia terlihat mendominasi permainan ketika memengaruhi teman-teman sekelasnya untuk memilih orang-orang tertentu yang dicurigai sebagai mafia.

Tak sedikit yang berspekulasi jika Go Kyung Jun kemungkinan adalah polisi atau dokter. Sayangnya, setelah episode 7, penonton kembali mengkritik karakter ini. Lalu, siapa sebenarnya Go Kyung Jun?

Galeri foto:

Source :

[theonemyleejongsuk]

ARTICLE

[Anan] Leading the 4th Hallyu Boom! Lee Jong Suk "Now in my 30s, I feel happy to act"

it's about creating a work together with the staff and co-stars. Once I realized that, I started enjoying acting again.

After going through my early 20s, when I just enjoyed acting, and my late 20s, when I was worried about how difficult it was, I've reached a point where I feel happy about acting again." Yang Kyung-won and Oh Eui-sik, who co-starred in "Big Mouth", made guest appearances at the fan meeting. Their friendship became a hot topic, but for Jongsuk, they seem to be able to talk about anything with each other.

“These two are the ones who can talk deeply about how they should live as people and as actors.

The longer you live, the more difficult life becomes, but as an adult in my 30s, I also think about how I should live my life from now on. , I started to think about it seriously.In particular, I have a lot of respect for Oh Eui-sik as an actor of my generation.I went to see his stage the other day, and it was really good. I still do.

I'm filming two dramas at the same time, but despite the different types of roles, I'm doing a great job.” Every time he visits the theater, he goes to the theater and sends his impressions, which is one of the reasons why he is so widely loved.

Lee Jong Suk said that he is still thinking about his next project. "Before 'Big Mouth,' he had to expand his acting horizons by appearing in many different genres. I used to be too obsessed with that idea, but now, on the contrary, if it's an interesting work, I think that genre doesn't matter. When I was in my 20s, I used to say that my dream was to become a “one and only actor”, but now I want to be remembered as an “actor with a relaxed heart”.

I am also looking forward to seeing what kind of work I can come across. Please look forward to it, everyone in Japan.” Lee Jong Suk Born September 14, 1989 in South Korea. He made his acting debut in 2009. He has appeared in many popular dramas such as "W - Kimi to Boku no Sekai -", "While you are sleeping", and "Romance is a supplementary volume".

His latest drama, Big Mouth, puts aside his signature romance and tries hard-boiled noir. He broke new ground and became a hot topic.

*From the February 15, 2023 issue of anan. Photo: Kentaro Kobe, stylist: PARK TAE IL hair, MOON HYUN CHEOL makeup: KIM GANG MI Interview, Text: Yoon Souhei Photography cooperation: EASE FRAU INTERNATIONAL (by anan editorial department)

Source🔗https://news.yahoo.co.jp/articles/963147d2c73f3eaa38426ff850f099737e690040

Posted 12 Feb 2023

Thank you for sharing🙏

My @jongsuk0206 #LeeJongSuk is life.

#TheOneMyLeeJongSuk

#이종석 #李鍾碩 #李钟硕

#อีจงซอก #イジョンソク

#Decibel #BigMouth

[passionforfiction]

Young Lady and Gentleman

I decided to watch this series because it has a really good cast. I've seen most of the actors in other series and I was looking forward to watching them, specially Ji Hyun Woo, who is one of my favorite actors. The first couple of episodes held my interest even though they were filled with cliché: the misunderstanding at the hiking site, Dan Dan winning Jae Ni over by fighting against her bullies, and Dan Dan's stepmother and her family's lack of sense when it came to money, to name a few things. There were a lot of characters that annoyed me to no end, but what really killed it for me was the amnesia plot (acting like a 22 years old man and then remembering he was 40 and forgetting what he did when thinking he was back in his 20s). I skipped half the episodes and then saw the rest of the episodes skipping scenes.

This series disappointed me. It could have explored the issues in believable ways, instead of brushing them with cliché plot twists and simplifying the issues and resolutions. They could have explored the stigma to age difference in relationships since Young Gook and Se Ryeon both fell in love with people that were younger than them. They could have explored the issue of abandonment and adoptive family with Sa Ra, Anna, Young Gook and Dan Dan's father and stepmother. The decisions men and women make and how the woman is the worse off - with Dae Ran, who was too ignorant to believe a married man's words and become his mistress and remain in a household where she wasn't respected or loved. Because, let's face it, Young Gook's father was no model to follow.

The characters didn't help either. Of the adult characters the only ones that were less annoying were Mi Rim and Joon Oh because they went after what they wanted, they worked around the hardship together and were equals in their relationship.

I had a lot of trouble stomaching the female characters (except for Mi Rim). Dan Dan was too immature, clingy and had no self-respect. The same could be said about Se Ryeon and her mother. Sa Ra and her mother were schemers, but I also think they got the worse end of the rope. Dae Ran was the one to propose Sa Ra pretend to have been in a relationship with Young Gook when he lost his memory and as soon as the plan went sour, she left Sa Ra with all the weight of the scheme. Sa Ra's desperation to be near her son made her do many unspeakable things but I believed she could have had a second chance with Cha Gun; but he also disappointed because he said he loved her and was willing to stay with her while she was pregnant with his child, but as soon as she lost it, he was willing to part ways. He walked away, leaving her all broken. . . A similar thing happened to Lee Ki Ja. Yes, she had to pay for her crime, but her supposed friends - who were no angels - brushed her every time she wasn't a convenience to them. In the end, even Sa Ra left her mother to find her own path.

Anna Kim was no saint either and she could have dealt with the situation in another way, but why use the "cancer" card? Why use the "let's pity her" route and then dispose of her through death? I just think this was too easy.

And Yeon Shil wasn't the best stepmother, or wife for that matter, but I think her husband used her and didn't respect her. He turned her into the evil stepmother for years and then had the face to tell her he wanted to stay with his ex-wife while she was sick. And here is where the male characters also annoyed me. Soo Cheol and Young Gook were good people but acted all mighty and didn't think about the people they were hurting with their actions or words. Cha Gun was a character I liked but the way he let Sa Ra go was really disappointing. Dae Beom was hard to stomach at the beginning but he grew as a character towards the end, just like Se Ryeon did.

I guess these are not black and white characters. They are all human - I'll give them that. They had their good things and those that were not good. And it would have been okay if the writer and director hadn't tried so hard to turn this into a comedy. It should have been a drama. I think it would have worked better that way, the female characters would not have been portrayed as ignorant, clingy and foolish simpletons and those over used plot cliché would have been out of the equation.

Poster from Wikipedia - https://en.wikipedia.org/wiki/Young_Lady_and_Gentleman

[korelist]

HOSPITAL PLAYLIST 1-2 //  KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı: 8,8 Benim puanım: 10

Drama: Hospital Playlist (English title) / Wise Doctor Life (literal title)

Hangul: 슬기로운 의사생활

Director: Shin Won-Ho

Writer: Lee Woo-Jung

Date: 2020 - 2021

Language: Korean

Country: South Korea

Cast: Cho Jung-Seok, Yoo Yeon-Seok, Jung Kyoung-Ho, Kim Dae-Myung, Jeon Mi-Do, Shin Hyun-Bin, Ha Yoon-Kyung, Kwak Sun-Young, Kim Hae-Sook, Kim Kap-Soo

Şahane bir diziydi. İki sezonu da kıskançlık krizleri içerisinde izledim. Dizi kimyası gereği uzun uzadıya anlatılacak bir konuya sahip değil. O yüzden kısaca bahsedip karakterler üzerinden yorum yapacağım. En basit anlatımı ile aynı tıp fakültesinde okumuş 5 arkadaşın hikayesi konu ediliyor. Aynı hastanede çalışan bu arkadaşların her biri  kendi alanında parmakla gösterilen doktorlar. Kendi branşlarında başarılara imza atmışlar, bunun yanı sıra aralarındaki dostluk hiç azalmamış yıllar içerisinde güçlenerek artmış.

Ahn Jeong-Won (Yoo Yeon-Seok) çocuk doktordur. Lee Ik-Joon(Cho Jung-Seok-) genel cerrahtır. Kim Jun-Wan(Jung Kyoung-Ho) kalp doktorudur. Yang Seok-Hyeong(Kim Dae-Myung) kadın doktorudur. Chae Song-Hwa(Jeon Mi-Do) beyin doktorudur.

Dizi; Ahn Jeong-Won (Yoo Yeon-Seok)’un babasının cenazesinde başlıyor. Beş kardeş olan Jeong-Won ‘un iki abisi rahip, iki ablası da rahibedir. Hastane sahibi olan babası vefat edince hastane yönetimi de rahip olmayan tek çocuk Jeong-won ve annesine kalır. Jeong-won da rahip olmak istediği için yalnızca VIP koğuşlarının gelirinin kendisine verilmesi şartıyla hastane yönetimini bir aile dostlarına devreder. İkinci şartı ise VIP koğuşundan sorumlu doktor ekibini kendisi seçecektir. Bu noktada birbirinden çok farklı karakterlere sahip arkadaşlarını ikna etmesi gerekir. Kadın doktoru üniversitedeki müzik gruplarını tekrar kurmaları karşılığında kabul edeceğini söyleyince, beyin doktoru da vokal olması koşulu ile kabul eder. Herkesi bir şekilde ikna ettikten sonra diziye de ismini veren hastane müzik grubu kurulmuş hikayeleri ile kalbinize girmeye başlamış olurlar.

Birinci doktorumuz; Lee Ik-Joon(Cho Jung-Seok-) galiba ülkenin bütün karaciğer nakillerini yapan bir genel cerrahtır. Dizinin başında evli olsa da, karısı 1-2 senedir yurtdışında yaşadığı için ilerleyen bölümlerde boşanmalarına şahit oluruz. Kendisinden tatlı olmasın bir de oğlu vardır. Karısı yurtdışına gittiğinden beri çocuğuna bakıyor olmasının da etkisi ile velayeti babasında kalır. Ik-Joon IQ’su çok yüksek olmasına ve alanında bir numara olmasına rağmen ilgilendiği bütün alanlarda en iyi olmaya takıktır. Ama bunu her zaman hayattan zevk alarak gerçekten eğlenerek yapar. Herkesle arkadaştır, hep gülümser, yemekten keyif alır, dans eder, şarkı söyler, boş zamanlarında fal bakar, etrafındaki herkesin mutlu olmasına uğraşır, insanları okuma konusunda başarılıdır.  Hayatını hep çok odaklı olarak yaşamaktadır. Oğlu da onun gibi yüksek IQ’ya sahip olduğu için aralarındaki baba-oğul ilişkisini izlemek çok keyifliydi. Hatta oyuncu Cho Jung-Seok, karakterinin ideal baba figürü olduğunu ve öyle bir baba olmak istediğini söylemiş. Kendisi oyuncu/şarkıcı Gummy ile evli. Ik-Joon karakterinin, oğlunun yanı sıra birde asker kız kardeşi var; Lee Ik-Soon(Kwak Sun-Young). Oda abisi kadar renkli bir karakter.

İkinci doktorumuz; Ahn Jeong-Won (Yoo Yeon-Seok) pediyatri cerrahı yani çocuk doktorudur. Kendisini doktor olarak izlediğim ikinci dizi oldu. İlk Dr Romantik dizisindeki rolüyle karşılaşmıştık. O dizideki bıçkın delikanlıdan tamamen sıyrılmış dünyalar tatlısı olgun aklı başında bir doktor rolüne bürünmüş. Ama asıl oyuncuyu “Mr Sunshine” dizisinde izlemelisiniz. Bu bilgi burada dursun, henüz o diziden bahsetmeme çok var. Jeong-Won yukarıda da bahsettiğim gibi hastane sahibinin oğlu. Annesi, bütün çocukları kendisini tanrıya adadığı için Jeong-Won’u elinde kalan tek çocuğu gibi görüyor. Onu da tanrıya kaptırmak istemediği, normal bir hayatı çocukları olsun istediği için rahip olmasına şiddetle karşı çıkıyor. Jeong-Won da her sene karşılaştığı hasta çocuklara dayanamadığından rahip olmak için başvuru yapmak istiyor, cesaretini topluyor, her sene abisi onu 1 sene daha düşün diyerek vazgeçiriyor. Jeong-Won’un annesine Jeong Ro-Sa (Kim Hae-Sook) bayıldım. Oyuncuda başarılıydı tabi ki ama karakter inanılmazdı. Erkek kardeşlerinden Sung Dong-Il; Reply dizisinden tanınıyor, kız kardeşlerinden Ye Ji-Won ise birçok dizide karşımıza çıkan bir oyuncu. Erkek kardeşlerinden diğeri de yine Reply dizisinden tanınan Kim Sung Kyun ‘du. İkinci doktor etrafındaki insanlardan bahsederken, anne karakteri kadar bayıldığım bir diğer karakter daha var. O da hastane yönetimini bıraktıkları aile dostları Ju Jong-Su(Kim Kap-Soo). Annenin kankası olan bu karakter, daha önce gördüğümüz hastane yöneticilerinden farklı olarak hiçbir güç savaşına girmeyen, entrikalardan uzak, tabiri caizse şeker şerbet bir adamdı. Anne ile arkadaşlığı, doktorlara olan davranışları izlerken beni hep gülümsetti. Oyuncuyu da birçok dizide sert mizacı ile görmüş olsak da bu dizinin kesinlikle güzel yanlarından biriydi. Ahn Jeong-Won (Yoo Yeon-Seok) ‘a dizide partner olarak Jang Gyeo-Wool (Shin Hyun-Bin) eşlik ediyor. Bölümdeki tek asistan doktor olduğu için doktorlar tarafından paylaşılamayan Gyeo-Wool ‘a benim kanım çok ısınamadı. Paspal halleri, erkek tavırları, donuk oyunculuğu, karakterler arasındaki kimya beni kendine çekmedi. Dizideki tek ısınamadığım oyuncuydu sanırım.

Üçüncü doktorumuz; Kim Jun-Wan(Jung Kyoung-Ho) havalı ve soğuk tavırları ile kalp cerrahımız. Kendisi grubun en kibirlisi olarak görülebilir ancak en az diğerleri kadar sevilesi bir karakterdi. Sosyal becerileri düşük olan bu karakter her öğrendiği yeni duygu ve durum karşısında izleyiciye eğlenceli sahneler izletmeyi başarıyordu. Asistanı Do Jae-Hak (Jung Moon-Sung) ile aralarındaki bromans gerçekten izlemeye değerdi. Bu doktorumuzda bütün o soğuk görünümünün altında duyarlı, düşünceli ve çok çalışkandı. Doktorumuzun yemek ile olan ilişkisi ise eğlenceli bir detay olmuş. Masaya ilk oturan ve sanki kaçıracaklarmışçasına hızlı yemek yiyen, hatta ne varsa yiyen bir karakterdi. Bütün o karizmasını, duruşununu yemek masasında şapka gibi çıkartıp kenara koyuyordu. İlerleyen bölümlerde aşk hayatı ile ilgili kısımlar bir miktar sinirimi bozsa bile, karakteri de oyuncuyu da çok sevdim.

Dördüncü doktorumuz; grubun çiçeği Chae Song-Hwa (Jeon Mi-Do) oldukça başarılı bir beyin cerrahıydı. Oyuncu seçimlerinde diğer başrol oyuncularından Cho Jung-Seok ve Yoo Yeon-Seok tarafından önerilerek rolü üstlenmiş. İki başarılı oyununda rol arkadaşı olarak Jeon Mi-Do’yu seçmeleri enteresan olmuş. İronik bir şekilde dizide kurdukları müzik grubunda müzik geçmişi olan tek oyuncu Jeon Mi-Do olmasına rağmen karakteri şarkı söyleyemiyordu. Kendisi normalde müzikal geçmişli bir oyuncu olsa da sesi kötü bir karakteri canlandırdığından, özel bas gitar dersleri almış. Vokal olma şartı ile gruba katılmayı kabul etse de aslında grubun bas gitaristiydi. Üçüncü doktorumuz olan kalp cerrahı ile yemek konusunda hem partner hem de rakiptiler. İkisinin yemek yedikleri sahneler inanılmaz eğlenceliydi. Genel olarak doktorlarımızın asistanları onlardan hoşlanıyorlardı. Hayranlık, beğenme, örnek alma gibi yan hikayeler her biri için arka planda yazılmıştı. Song-Hwa için yazılanlar arasında asistanı Heo Seon-Bin(Ha Yoon-Kyung) sıyrılıyordu.

Beşinci, son doktorumuz; Yang Seok-Hyeong(Kim Dae-Myung) jinekolog, kadın doktoruydu. Tam bir ana kuzusu olan bu karakterimiz sessiz, sakin ve yalnızlıktan hoşlanan bir karakterdi. Yakın zamanda boşanmış olmasının verdiği bir mutsuzluk da üzerine yapışmış durumdaydı. Kadınlara olan yaklaşımı mesleğin verdiği incelikte olsa da karakterimiz kadınlardan hiç anlamıyordu. Dizide kadın doktorumuza partner olarak eşlik eden asistanı ise Heo Seon-Bin (Ha Yoon-Kyung)di. Ha Yoon-Kyung’u yakın zamanda Extraordinary attorney woo dizisinde izledik. İkilinin sahneleri oldukça eğlenceliydi. Kim Dae-Myung da beyin cerrahımız gibi dizide oynayabilmek için piyano dersleri almış. Dizideki müzik grubunun kurulmasına da Yang Seok-Hyeong karakteri ile kendisi vesile oluyordu.

Kısa kısa doktorlarımızı anlattığımıza göre genel birkaç şey söyleyip toparlayayım. Dizide beş doktorumuz Mido and Falasol adlı bir müzik grubu kuruyor. Grubun şarkılarına Spotyfy’dan ulaşabilirsiniz. Ben kendi adıma coverları orijinallerinden daha çok beğendim. Senaristin 90’lara olan tutkusu nedeni ile şarkılar hep nostaljik parçalardan oluşuyordu. Oyuncuların her biri bireysel şan hocaları ile çalışarak rollerine hazırlanmışlar. Youtube’da çalışma videolarına da ulaşabilirsiniz. Hatta Mido and Falasol ismi ile Youtube konserleri bile mevcut. Onlarda oldukça keyifliydi. En komiği ise daha önce de söylediğim gibi müzik sektöründe olmasına rağmen Mi-Do’nun bet sesli rolü yapmasıydı. Her şekilde aralarındaki arkadaşlık ilişkisi kesinlikle parmak ısırtıyordu. Baştan sonra kıskanarak izledim.

Dizi oyuncuları bakımından bir nevi yıldızlar geçidi olarak görülebilir. Gerek başroller, gerek yan roller gerekse de konuk oyuncular açısından dikkat çekiciydi. Konuk oyuncuların büyük çoğunluğu Reply dizisinden tanındığı için ben izlerken çok da tanımıyordum. Diziye çok fazla eleştirim yok. İlk göze çarpan olumsuzluk, bölümlerin çok uzun olmasıydı. Bazıları neredeyse normal bir film süresi kadardı. Daha az sürelere bölerek daha uzun bölüm sayıları ile düzenlenebilirdi. İkinci olarak dizi gündelik hayattan kesitler sunması nedeni ile sonunda bir çok merak edilen noktayı izleyiciyi tatmin etmeden bıraktı. Sanki hikaye 3.sezon devam etmeliymiş gibi kaldı. Kesinlikle 3.sezonun gelmesini isterim ama gelmeyecekse de 2.sezonu biraz daha keskin hatlarla bitirselerdi daha güzel olurdu. Ve son olarak; bu kadar başarılı, bu kadar iyi kalpli ve özverili doktorun bir araya, aynı hastaneye toplanmış olması o kadar ütopik geliyor ki, gerçek olamayacak kadar güzellerdi. Keza arkadaşlıkları da aynı oranda ütopikti. Bir grup arkadaş içinde gerçekten uzun yıllar devam edebilen bu denli bir dostluk çok görülebilen bir durum değil ne yazık ki. Genelde izlediğimiz diğer doktor dizilerinde, doktorların hırsları, yönetimin taht kavgaları ve insanların birbirilerinin arkasını kazmaları izleyiciyi dert sahibi yaparken, bu dizi bu mevzuların yakınından bile geçmiyordu.

Sonuç olarak çok beğendim. Karakterlere tek tek bayıldım. Aralarındaki arkadaşlıklara hayran kaldım. Benim 10 puan verdiğim diziler arasına çok rahat girdi. Ve tabi ki müzikleri de şahaneydi.

 OST:

Cho Jung Seok – Aloha

Mido & Falasol - It's my life

Mido & Falasol - You have a crush on me

Mido & Falasol - I like you

Raven Melus

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